Glory of the World
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This book casts new light on mid-twentieth century Color Field painting from the
perspective of the artists’ ambitions for the future of abstract painting.
Color Field became a convenient, albeit imperfect term to describe paintings in
which vast areas of color appear as the dominant force. Color Field was not an art
movement, rather it was a cohort of likeminded artists. While the American Abstract
Expressionists cleared a path for this postwar generation to forge ahead with abstract
painting, their achievements naturally challenged artists such as Frank Bowling, Peter
Bradley, Jack Bush, Ed Clark, Helen Frankenthaler, Sam Gilliam, Adolph Gottlieb,
Hans Hofmann, Morris Louis, Al Loving, Robert Motherwell, Kenneth Noland, Jules
Olitski, Larry Poons, Frank Stella, and Alma Thomas, to create abstraction anew.
Experimenting with non-traditional painting mediums and methods, as well as these
artists’ probing of the conventions of painting, led to unprecedented works
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